|George ANCA: MANTRA EMINESCU (3) – THE INTERNATIONAL ACADEMY MIHAI EMINESCU|
|Written by Ştefan Doru Dăncuş|
|Monday, 19 June 2017 12:19|
First draft – 1991 – to be completed by acknowledgments, other names of poets, thinkers, artists, translators, eminescologists, educators, desiring to be together unto poetry/shanti.
Albania, Argentina, Australia, Austria, Belgium, Brazil, Bulgaria, Canada, Czechoslovakia, Chile, China, Denmark, Egypt, Finland, France, Germany, Greece, Hungary, India, Iran, Irak, Israel, Italy, Japan, Mexico, Moldova, Netherlands, New Zealand, Nigeria, Philippines, Poland, Portugal, Romania, Senegal, South Africa, Spain, Sweden, Switzerland, Tanzania, Thailand, United Kingdom, USSR, USA, Yugoslavia
MEMBERS / HONORARY INVITED
Rafael Alberti, Robert Bly, Emil Cioran, Rosa del Conte, Yolanda Eminescu, Evgheni Evtushenko, John Fowles, Vaclav Havel, Daisaku Ikeda, Eugen Ionesco, Octavio Paz, Amrita Pritam (president since 1981), Salman Rushdie, Leopold Sedhar Senghor, Bogdan Suhodolsky, Grigore Vieru.
MEMBERS AT LARGE
Anna Aalten, B. Abanuka, Tawfik El Abdo, Prachoomsuk Achava-Amrung, Ioan Alexandru (organizer), Ion Andreiţă, O. M. Anujan, Lourdes Arizpe, Werner Bahner, Andrei Bantaş, Romano Baroni, Georges Barthouil, Al Bayati, Enric Becescu, Eva Behring, Amita Bhose, Danuta Bienkowska, Carlo Bernardini, Eveline Blamont, Ana Blandiana, Lucian Boz, Ion Caramitru, Margaret Chatterjee, Mary Ellen-Chatwin, Mihai Cimpoi, Silvia Chiţimia, Henri Claessen, Georges Condominas, Lean-Louis Courriol, Robert Creeley, Petru Creţia, Marco Cugno, Nicolae Dabija, Rodny Daniel, Nilima Das, Sisir Kumar Das, Mahendra Dave, Guenther Deicke, Francis Dessart, Stanislaw Dobrowolski, P. Vidyasagar Dayal, Metoda Dodic-Fikfak, Mihai Drăgan, Livia Drăghici, Jules Dufur, Zoe Dumitrescu-Buşulenga, Anton Dumitriu, Monika Egde, Christian Eggebert, Didona Eminescu, Roland Erb, Jiri Felix, Galdi Laszlo, Roy Mac Gregor-Hastie, Al Giuculescu, Allain Guillermou, Herbert Golder, Klaus Heitmann, Helena Helva, Gerard Herberichs, Carmen Hendershott, Anna Hohenwart, Peter Hook, Alexandra Hortopan, Kazimiera Illakowiczowna, Philip Iseley, Judith Isroff, Ion Iuga, Vilenka Jakac-Bizjak, Rafik Vihati Joshi, Elena M. Koenigsberg, Maria Kafkova, Iuri Kojevnikov, Henrik Konarkovski, Omar Lara, Leonida Lari, Maria Teresa Leon, Catherine Lutard, Keshav Malik, Muhamed Maghoub, Fidelis Masao, Liliana Mărgineanu, Pino Mariano, Constantin Mateescu, Anna Mathai, Dumitru Matkovski, Charles Mercieca, Ion Milos, Baldev Mirza, George Munteanu, Chie Nakane, Ion Negoiţescu, Wanda Ostap, Ayappa Panikar, Sheila Pantry, Daniel Perdigao, Augustin Petre, Irina Petrescu, Max Demeter Peyfuss, Jane Plaister, Franco Prendi, Carlos, Queiroz, Zorica Rajkovic, Lisa Raphal, Peter Raster, Ruprecht Rohr, Marcel Roşculeţ, Mario Ruffini, Angelo Sabbattini, A. M. Sadek, Zeus Salazar, Patricia Sarles, Monika Segbert, Joachim Schuster, Vinod Seth, Satyavrat Shastri, Andrei Simic, Norman Simms, William Snodgrass, Mihai Stan, Dumitru Stăniloae, Sygmunt Stobersky, Sanda Stoleru, Sorin Stratilat, Arcadie Suceveanu, Eric Sunderland, Bathelemy Taladoire, Akile Tezkan, Eugen Todoran, Fernando Tola, Mona Toscano-Pashke, Urmila Rani Trikha, Kliment Tsacev, Mihai Ursachi, Bruno Uytersprot, Nelson Vainer, Isabela Valmarin, Dimitrie Vatamaniuc, Romulus & Mihu Vulcănescu, J.L. Vig, Brenda Walker, Xu Wende, Reinhold Werner, Rudolf Windish, Mario Zamora
MEMBERS IN MEMORIAM
Anna Ahmatova, Sergiu Al-George, Gheorghe Anghel, Tudor Arghezi, George Bacovia, Ion Barbu, Lucian Blaga, Samson Bodnărescu, Alexandru Bogdan, N.N. Botez, Petre Brânzeu, Victor Buescu, Anta Raluka Buzinschi, George Călinescu, I. L. Caragiale, Iorgu Caragiale, Toma Chiricuţă, Pompiliu Constantinescu, Aron Cotruş, Ion Creangă, Dimitrie Cuclin, Mihail Dragomirescu, Mircea Eliade, Gheorghe Eminescu, Gheorghe Eminovici, Franyo Zoltan, Galgi Laszlo, Gala Galaction, Mozes Gaster, Onisifor Ghibu, Petre Grimm, Ion Goraş, N.I. Herescu, G. Ibrăileanu, Nicolae Iorga, Petru Iroaie, Josef Sandor, Ivan Krascko, Mite Kremnitz, Franco Lombardi, E. Lovinescu, Titu Maiorescu, Alfred Margul-Sperber, Veronica Micle, Matei Millo, Gheorghe Nedioglu, Constantin Noica, Ramiro Ortiz, Sylvia Pankhurst, Vasile Pârvan, Perpessicius, Ioana Em. Petrescu, Gheorghe Pituţ, Miron Pompiliu, Augustin Z. N. Pop, Cornelui M. Popescu, Aron Pumnul, Salvatore Quasimodo, Ianis Ritsos, Mihail Sadoveanu, George Bernard Shaw, Ioan Slavici, Nichita Stănescu, Carmen Sylva, Carlo Tagliavini, Fani Tardini, Vasile Văduva, Tudor Vianu
Left in Dodona I ask Mahesh what I thought in the night for the poets communicate apofatically awakening poets' killers even I am not Eminescu reincarnating Zalmoxis in Dacia then Egypt via Espagna following Ihesu in Himalaya that I am seeking Him see Margaret this Denmark of love left to all of D's.
Almost sound in all inheritage blood and brain
spread at imaginary wolves visits
jumps on temples forests Eminescu
yes in Kali kalidasology with Eminescu's Calin
at death centenary clowning clow
masochistically Kali home laughed
Contemplative obedient epics with my fellow
countrymen my only wish Eminescu's
to die unto their better half
Mahavira of late old gods ladies evangelizing
one recited from Eminescu in the end
changing house by country of fools I left
Rodny in academy Eminescu inviting me to be
professor of European anthropology
while writing of a personal anthropology
Yoga not permitted in this case sometimes Milarepa
in our discussions before Eminescu
eating the heart of ghost in the hills
Influenced Hillerin calling Brenda for debt
at noon in Eminescu bookshop
like in Cambridge with hound
White flower from you intended for the corps
of the logician I've told was early
and nowhere Eminescu's tomb either
Alibi also soon daylight like in Brashov
hadn't as bad returns as presciences
just take Buddha as poet Eminescu
A zone of solitude around everybody one's life
imagine indeed how lonely Eminescu was
saying I am a Buddhist just being too Christian
His zone touched here heretically on beheading
hayavadana like ardhanariswara also
thinking like Mir to Veronica
Depict paintings like in Kangra Eminescu
valley valleology colored eyely sight
intellectual reconcept photograph
The Buddha. Letters from the buddhahood to Eminescu
Under all circumstances you seem to be under the observation of the intelligence-people of your own Socialist Country who are doing this social service to harass you a great deal in any near future and certain people including the „ambassador” (the mathematician one!) in the Romanian Embassy here in Delhi are trying to molest your good name in India by spreading rumors about you and your being a „rogue” and say to people here that „you” are going to be exiled from Romania and/or are going to be punished in some way. You are simple sincere poet like Mihai Eminescu and all your life you will remain simple & sincere to Romania as you always expressed and praised Mihai Eminescu and worked sincerely for the cause of deeper understanding between India and Romania.
I also published Mihai Eminescu's poem on page number 11 viz. The Elfland Damsel and in a footnote told how great a poet Mihai Eminescu was and how many new Romanian poets he has influenced. But this sick person, the very much sick person, your Romanian ambassador Mr. Mitu Nicu spoiled everything by raising a lot of hue and cry and luckily he also revealed the very confidential things of your government that they were about to frame cases against you and were about to „exile” you from Romania and that you were a „rogue” and argued with me for five hours (from 4.45 p.m. To 9.50 p.m. On 18.9.1979) in the Romanian embassy about many things on page 9 and also criticized why this person Gheorghe Anca who is not a poet at all and is not a representative of Romanian poetry has had been published by me in their National Day issue and of the magazine and if you had written the introduction (I wrote it myself) and if the photograph and poems were supplied by Anca?
I like to confirm our „International Academy Mihai Eminescu for Culture. Poetry & Arts” and also the Eminescologistic human love for human race. I am happy that „Tagore Institute of Arts” (India) and „Hafiz Iran Society” (Iran:Teheran) are all cooperating with us and in 1989 we hope to reach Bucharest at his anniversary.
I attended then the full Mexican Week celebrated in New Delhi and met poet Octavio Paz of Mexico who writes in Spanish. There also I mentioned you and hundred Romanian poets. I saw through 15 days World Trade Fair in November as also we had a British Council workshop on Poetry on November 27th where my two poems were taken and one was cyclostyled for discussion. Mention of International Academy Mihai Eminescu is very automatic then. It penetrates the ears of the listener: „100 Romanian poets”.
You mentioned about Iasi's letter demanding a sculpture of Eminescu. (From Iaşi, on the North of the country – which country? India or Romania? Did you publish a bust of Eminescu in any of I.A.M.E. Books? Did you? I didn't create any such thing). You can send him a photocopy of any of the busts of Eminescu. I didn't meet Mrs. Pratima Kumar. If I can put a statue of Eminescu in our front garden I send you a copy after the same – among the palm trees. I expect you very much at „India in World Literature” in Delhi University in February 1985. But a bust of Eminescu in the garden should be put now. Nana must have come back from Transilvania. Nana is always in touch with me. We have no distance between ourselves when she is a day-light child of India. You are a „midnight” child of India, working late in night on its topics and tell Rushdie I am the „Shame”.
I hope Nancy can work a ceramic bust of Eminescu – lower portion in Green, upper in Lotus flower colour.
Here alone I.A.M.E. is saddled, in a seal, on his birthday.
Eminescu Science Poetic meeting with best actor reciting our academy's chief Mr. Eminescu – poetess Ana Blandiana of „When Trees have eyes” fame – it is impressive mention of varied subjects we have tried to touch about Indo-Romanian relations in a binding step on a cement platform. Yesterday, I put my records straight, one step ahead about great Romanian sections of my papers to search for all bits of papers, envelopes, chits, notes, letters, magazine clippings, poems, translations, etc. about Romania and yourself and our dear poets from Romania who came in touch with their poetry and unknown faces and common hearts and greatest arts and equal parts in our activities under the International Academy Mihai Eminescu. This I did to write something about us and our works for common knowledge and to present some written note/paper to the new journals which your department of Modern European Languages has started and sent me two copies -one of each journal for contributing material. I am giving some (European) translations of poems including Romanian poems, including my poem on Eminescu „Why Eminescu came to us...” (Its Romanian translation printed I never received dear Anca, as it was published. Why didn't you read this poem or its translation at Eminescu evening to Ana Blandiana). I added three or four lines to this poem retyping it yesterday to make it true international in scope:
„It was an Eminescu life given to poets at Versailles -
And Eminescu is no different or indifferent to Nagasaki
Eminescu is emancipation of at least South Africa
A running word for soft speaking Vietnamese
Or why should Eminescu come to life out of time
Eminescu is a necessary word and a necessary line
He has in his abode met all the more Tagore
Pushkin for a recall and has met Subramanian Bharati
Eminescu is now a pearl in every oyster of the mother pearl Earth
To be able to swim on seas at ease
Or why else should Eminescu come from beyond the oceans swimming towards eternity...!”
The underlined words in ticked lines are newly added and some stray words removed e.g. „lovely” in following:
„Eminescu is the name of Rudraksha bead in every day rosary.”
Subject: Eminescu bust by sculptor Ion Mândrescu & matters of Book/journals exchange, etc. with Romanian Educational Library & and poetry exchange with individual Romanian poets in Eminescu Year.
Thank you for your dated nil on 15.4.1989 and I was at International Academy Mihai Eminescu in fact waiting for Ion Mândrescu created bust which is however still awaited. If there is some technical difficulty you can get sent its pictures and/or articles and essays appearing about it in papers, as clippings, for our file and general reference purpose to others who may need.
You can write to them that you can read a paper on Eminescu in/and folklore: i.e. Eminescu used folklore themes for his poetry, and has himself become a folklore theme in Romania.
EMINESCU, A FOLKLORE...
(by Vinod Seth)
They call Eminescu a poet, a gem
I always called him a diamond
I called him folk-lore
He, whom we call Eminescu
Hardly separated from the air anywhere
A poet called him a tree, an echo
But he who is as clear as stones in the brook
Is a smoothened dazzling diamond
Never from mountain poetry is torn
Eyes from his Brancusi bird
Fly high to sit by his bust
Ion Mândrescu, the artist of skill
Takes away poetry from his crust
And hangs on him the diamond bullets
To let him be the martyr in revolution
Poet he was, but poets don't die
Eminescu was the folklore of revolutions
He hung poetry like muslin cloths
On his face a smile in store
Folklore made Eminescu and Eminescu made folklore
A Hindi, Sanskrit base as before
Eminescu took a round of whole this globe
Poetry beheads him, gives him folklore
Eminescu sings an epic tune to us
Eminescu we hear on telecom
Then we ask him May we come in?
Eminescu say Yes if you glass cut the rocks
P.S. You will be pleased a sculpture (a woman's head in brass in French Museum's collection, made by Bruncush, was recently exhibited in the National Gallery of Modern Art, which was the first sculpture I saw from Bruncushi. If more than one busts of Eminescu are sent may be we can give them to some institutions.
(By Vinod Seth)
Death in the year of Eminescu's death
Better than Romanians speak
And speak they 25 years ache
Achile's heal has kicked Ceausescu's head
And with bullets riddled his face
We wouldn't dare a return
While dying he doesn't look as young
As much as in publicity photographs
which his ambassador has to give or gave
Only you are young
Noe live with Romanian grace...
Up and up on this hill is love
Then on the peak is a flag
Brancusi has put there a slab
Romanians call it Eminescu's grave
Up on the hill one year is past
Up on the hill a look down is cast
Flags fly 80 000 at half mast
Revolution is like those of the French
Like Shiva's dance on Christ's cross
They had a thirst for poison, had to quench
The people had told at last who is the boss
Christmas said it is Santa-Claus
Death said no! he has worn my dress
The only liberty is on peoples' face.
Now will you read my poem again
Yes if my all friends are slain
And only free self of Romania is again
This army is friend of the poets
The army is Eminescu and also his poem
Eminescu at his death centenary awake
Has turned the quick most page
Salutes to people, to Eminescu, to army
Government's area TV serial case
Namastai. By 1995 we will be together 101. The 1 is mine. The rest is fine. A legless and a handless mad one in Eminescu post-ardhanariswara. Mateescu renamed and divorced me in his novel after India, Vulcănescu used initials (my name prohibited) and Iuga put your dedication as for himself. Part of your autobiography in letters to me I take in this novel (acknowledging it here and at the end like Salman Rushdie).
Perhaps Umesh Mehta would publish this, for India, Stephen Gill for Canada, Sokka Gakay for Japan – even for having something from Romania, if not for challenging purpose burried inside and belonging to many agonies between ancestralities and newagers, between indology and creation, as at Christ's death and after Eminescu's. About credits of the book ask Pirandello.
Mais, a Bucarest vous ne pourrez plus exercer vos dons litteraires et artistiques comme a l'Academie Eminescu. Que ferrez-vous?... Vous avez une grande activite en ce moment, avec les traductions, le roman „fourmis blanches” - qu'est que cela veut dire? et les enfants que vous faites chanter.
The words that are used in our daily routine. Relations, colors. Interrogations, persons. A fi, simple expressions. Conversation, Dictation, Vocabulary, Masculine and Feminine, Opposite words, „caloianul”, counting, days, parts of the body, Danube, negation, „Noi avem castel frumos, ran-tan-tiro-riro-ran”, singular-plural, Încurcătura play writer, neuter, poem by National poet „Mihai Eminescu” Peste vârfuri, vry simple outlook of the Latin language and its comparison with Romanian, Slave, Tempus acquierendi et tempus perdendi, Vergilius father, Dante, Ante homines vita et mors, bonum et malum, past present and future tense, Sunt lacrimae rerum/sunt lacrimi în lucruri/that the things have tears in these, we have discussed this philosophically and with Eminescu writing Luceafărul, „Glossa” - most of the students remembered the first line of the poem „vreme trece vreme vine” - how to answer the question, these are practised from the Romanian booklet edited by the „George Anca” our teacher, story by M. Eminescu „Poveste Indică”.
Discussions on the topic „Murinda Shivratri” which was written by our „Sir”. Announcement of the programmed broadcast at the radio on 22.2.83 at 7.30 p.m. on the short wave band. Exhibition at the class teacher's house, including the books of Eminescu, Arghezi, Blaga, Bacovia, Barbu, Calinescu etc. Announcement in the class, especially of the book „Istoria literaturii române de la origini până în prezent”. Poem „Rondelul oraşului din Indii”. Reading and translation of the poem into Hindi. Visit to the teacher's house to see the exhibition. There we recited the poems. Our teacher's friend Mr. Iuga also recited the poem. The photograph of the speakers are also taken. We read from the G. Călinescu book also.
Discussion on the Meghadut (Romanian version) which is written by Kalidas and its Romanian translation was done by our teacher (G. Anca). In which discussed with us on the following words: Norul – clouds. Vestitor – Messanger (one who gives the message). And he compared these words with the following lines given by M. Eminescu: Trecut-au anii ca nori lungi pe şesuri / Şi niciodată n-or să vină iară.
„Mai am un Singur Dor”. Teiul sfânt like baniyan tree. Apele plâng clar izvorând din fântâne (i.e. clear water weeps from fountains as springs). Quotation: „Dumnezeul geniului m-a sorbit din popor cum soarele soarbe un nour din marea de amar”. In this the significance of nour and marea de amar was justified.
Sergiu Al-George (Indologist): Translator of Gita into Romanian. Classical master pieces and modern Romanian archaic and universal. Mare de amar by Eminescu and Mare de-ntuneric by Lucian Blaga.
Singurătate by M. Eminescu, comparison melancolie/vers with soka/shloka.
Origini. Crainic – Nostalgia paradisului; Mircea Eliade – L'eternel retour. Lucian Blaga – Spaţiul Mioritic, Eonul dogmatic. Spengler (German philosopher). Vasile Pârvan, Idei şi forme istorice. Historical personalities and literary books: Nicolae Cartojan, Istoria literaturii române vechi; cărţile populare în cultura română. Polyhistors: Miron Costin, Dimitrie Cantemir (18th cent.), Ion Eliade Rădulescu, M. Kogălniceanu, Nicolae Bălcescu, B. P. Hasdeu (19th century), Nicolae Iorga, Ovid Densisianu, G. Călinescu, Mircea Eliade (20th century). Famous novels of the different centuries, like Răscoala and Ion by Liviu Rebreanu and Geniu pustiu by M. Eminescu.
You next ask me about any work I have been doing on Eminescu, and the answer to that, alas, is that I have not really touched on his poetry or prose for many years; not since to Introduction to „Luceafărul” I did in Miorita back in 1977, an essay I am sure is in the university Library there in Bucharest.
The Eminescu celebration seems to be building up considerably. My co-editor of Miorita Charles Carlton has prepared a special supplementary number of the magazine with Tom Perry, and we are cooperating with Brenda Walker of Forest Books (London) in publicizing her new translations of the poet's works. Other than that, there is really no way to do more here. I am afraid as the years go by, it is more difficult to interest any among my colleagues in Romanian culture.
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